Being a teenager is hard enough, but going through it at the same time as your sisters adds a whole new layer of trouble. But life in Ruwenda is anything but normal.
Protected by the Archimage Binah, the land is safe for all. The sisters must quickly learn and master their new powers for the sake of their people. Soon, they are separated and must travel on different roads to do their part in saving their kingdom, their friends, and their future.
The first book in a magically thrilling series, this is a story of sisterhood, family, and a quest not to be missed. In addition to figuring out what her gift is really meant for, Daisy still has to deal with normal high school antics—including figuring out her feelings for the very attractive Kevin. For young people, 'normal' is a somewhat relative term. When Jimmy Coates wakes up one morning to find that he can jump higher, run faster, and fight more skillfully than ever before, he knows that his 'normal' has changed forever.
If Jimmy wants to survive, he'll have to learn to master his newfound powers. As a Red, you live to serve Silvers. When Mare, a Red, somehow manages to find herself in front of the Silver court, she realizes that she, too, has a magical ability—something both baffling and alarming to the Silvers. But with a Red resistance rising, Mare will have to decide where her loyalties lie.
There are times when young adults feel powerless, without agency, without a future. But all that changes when she reveals a dormant power and is to be trained to join the Grisha—a magical special forces unit tasked with defending the kingdom from what lies past the Shadow Fold. The first in a stunningly creative series, Anita will be forced to grow up fast and learn how to harness her new powers. Not only is she the heroine of her own story, but that of an entire realm of people. No pressure though, right? How many people do you know, including yourself, who quote the story of The Boy Who Lived?
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Or anxiously awaited their acceptance letter to Hogwarts? The true magic of this series is in the universality of Harry's struggles. Over the seven fantastical books, J. But Daleina, a rather bookish and observant student, knows how important real responsibility is to the adults around her. She understands that the battle between the spirits and humans is coming to a head and that something must be done to end the conflict.
In the world of Renthia, the queen alone possesses the power to prevent the spirits from destroying her people. But with great power comes danger, which is why young women are chosen to train as heirs…in case the worst happens. From the award-winning author of the Temeraire novels comes a standalone book about a young woman determined to save her village and friends at whatever the cost. But she also knows that her beautiful best friend, Kasia, is likely to be picked for this terrible duty, as the Dragon always chooses the prettiest girl.
The island of Fennibirn has a special tradition: Every generation, triplet queens are born. But these sisters are no ordinary rulers. Teenagers have enough things on their mind without the ability to see different possible outcomes of the future, like Addison Coleman does. Imagine knowing what the future could hold? This post is sponsored by Open Road Media. Thank you for supporting our partners, who make it possible for The Portalist to celebrate the sci-fi and fantasy stories you love.
Sci-fi and fantasy that takes you places. It's a whole new world for these teens navigating the rocky road of growing up while learning how to control their newfound powers. I also want to get the Early Bird Books newsletter featuring great deals on ebooks. Catseye By Andre Norton Amazon.
The literature of the former Spanish colonies in the Americas is treated separately under Latin American literature. By , when the Muslim invasion of the Iberian Peninsula began, Latin spoken there had begun its transformation into Romance. These jarchas provide evidence of a popular poetry begun perhaps as early as the 10th century, and they are related to traditional Spanish lyric types e. Vernacular chroniclers mention many other heroic minstrel narratives, now lost, but, as a result of the incorporation of these narratives into chronicles, themes and textual passages can be reconstructed.
A major influence on prose was exercised by Arabic. Oriental learning entered Christian Spain with the capture of Toledo from the Muslims, and the city became a centre of translation from Oriental languages. A romance of the Seven Sages, the Sendebar , was translated likewise through Arabic, with other collections of Eastern stories. A propitious intellectual atmosphere fomented the founding of universities, and under Alfonso X of Castile and Leon reigned —84 vernacular literature achieved prestige.
Alfonso, in whose chancery Castilian replaced Latin, mandated translations and compilations aimed at fusing all knowledge—Classical, Oriental, Hebrew, and Christian—in the vernacular.
The Book of Count Lucanor and Patronio —which consists of 51 moral tales variously didactic, amusing, and practical—drew partly on Arabic, Oriental, and popular Spanish sources. Eustace, the Roman general miraculously converted to Christianity.
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It enthralled the popular imagination through the 16th century with its sentimental idealism, lyrical atmosphere, and supernatural adventure. The result mingled eroticism with devotion and invited readers to interpret often-equivocal teachings. Ruiz handled alexandrine metre with new vigour and plasticity, interspersing religious, pastoral-farcical, amorous, and satirical lyrics of great metrical variety. More-exotic elements appeared in the Proverbios morales c. Gregory, and St. Numerous examples from medieval Spanish literature and folklore echoed the same themes e.
The early 15th century witnessed a renewal of poetry under Italian influence. The collection showed not merely the decadence of Galician-Portuguese troubadours but also the stirrings of more-intellectual poetry incorporating symbol, allegory , and Classical allusions in the treatment of moral, philosophical, and political themes. Francisco Imperial, a Genoese who settled in Sevilla and a leader among new poets, drew on Dante , attempting to transplant the Italian hendecasyllable syllable line to Spanish poetry. He is still acknowledged as a precursor of the Renaissance, though his sonnets and long poems, which reflect his Italian-influenced training, are often neglected in favour of his charming rustic songs of native inspiration.
Written with greater satiric force than other works that treated the dance of death theme, it introduced characters e. Although not intended for dramatic presentation, it formed the basis for later dramas.
The early Spanish humanists included the first grammarians and lexicographers of any Romance tongue. The dominant character, the procuress Celestina, is depicted with unsurpassed realism and gives the work the title by which it is commonly known, La Celestina. Surviving for centuries in the oral tradition, Spanish ballads romances link medieval heroic epic to modern poetry and drama. The earliest datable romances —from the midth century, although the romance form itself has been traced to the 11th century—treated frontier incidents or lyrical themes.
The romance form octosyllabic, alternate lines having a single assonance throughout was quickly adopted by cultured poets and also became the medium of choice for popular narrative verse. Garcilaso added intense personal notes and characteristic Renaissance themes to a masterful poetic technique derived from medieval and Classical poets. The popularity of the short native metres was reinforced by traditional ballad collections romanceros and by the evolving drama.
Models for epic poetry were the works of Italian poets Ludovico Ariosto and Torquato Tasso , but the themes and heroes of Spanish epics celebrated overseas conquest or defense of the empire and the faith. Spanish drama originated in the church.enter
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Juan del Encina helped emancipate the drama from ecclesiastical ties by giving performances for noble patrons. His conception of drama evolved during his long stay in Italy, with native medievalism transforming into Renaissance experimentation. His four prose comedies have been called clumsy, but his 10 pasos showed his dramatic merits. Major landmarks in historical writing emanated from the New World, transmuting vital experience into literature with unaccustomed vividness. These chivalric romances perpetuated certain medieval ideals, but they also represented pure escapism, eventually provoking such literary reactions as the pastoral novel and the picaresque novel.
The former, imported from Italy, oozed nostalgia for an Arcadian golden age; its shepherds were courtiers and poets who, like the knights-errant of chivalric romance, turned their backs on reality. Another reaction appeared in the picaresque novel , a genre initiated with the anonymous Lazarillo de Tormes Passing from master to master, he depicted life from underneath. Miguel de Cervantes , the preeminent figure in Spanish literature, produced in Don Quixote part 1, ; part 2, the prototype of the modern novel.
Where Don Quixote saw and attacked an advancing army, Sancho saw only a herd of sheep; what Sancho perceived as windmills were menacing giants to the questing knight-errant. She too published Italian-inspired short stories, in the collections Novelas amorosas y ejemplares ; Eng. The writings of St. John of the Cross achieved preeminence through poems of exalted style expressing the experience of mystic union. What this great Spanish playwright did possess was a remarkable sense of stagecraft and the ability to make the most intricate plot gripping. Lope, who claimed authorship of more than 1, comedias , towered over his contemporaries.
Lope ransacked the literary past for heroic themes, chosen to illustrate aspects of the national character or of social solidarity. The cloak-and-sword play, which dominated drama after Lope, was pure entertainment, exploiting disguise, falling in and out of love, and false alarms about honour. In it affairs of the lady and her gallant are often parodied through the actions of the servants.
The cloak-and-sword play delighted by the dexterity of its intricate plotting, its sparkling dialogue, and the entangled relationships depicted between the sexes. Although their names were suppressed and their works left largely unperformed for centuries, several women dramatists of the Siglo de Oro left extant plays. She also penned short dramatic panegyrics, romances , and other books.